Hindi film
Jodhaa Akbar (2008)
5 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- PahadiKhwaja Mere Khwaja · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “653. | ख्वाजा मेरे ख्वाजा | जोधा अक़बर | 2008 | ए.आर.रहमान | पहाड़ी”.
- KafiAzeem-O-Shaan Shahenshah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “663. | अज़ीम ओ शान शहेंशा | जोधा अक़बर | 2008 | ए.आर.रहमान | काफी+ नट भैरवी”.
- Nat BhairaviAzeem-O-Shaan Shahenshah · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “663. | अज़ीम ओ शान शहेंशा | जोधा अक़बर | 2008 | ए.आर.रहमान | काफी+ नट भैरवी”.
- KhamajIn Lamhon Ke Daaman Mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “644. | इन लम्हों के दामन में | जोधा अक़बर | 2008 | ए.आर.रहमान | खमाज+ भैरव+ किरवानी”.
- BhairavIn Lamhon Ke Daaman Mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “644. | इन लम्हों के दामन में | जोधा अक़बर | 2008 | ए.आर.रहमान | खमाज+ भैरव+ किरवानी”.
- KirwaniIn Lamhon Ke Daaman Mein · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “644. | इन लम्हों के दामन में | जोधा अक़बर | 2008 | ए.आर.रहमान | खमाज+ भैरव+ किरवानी”.
- PahadiJashn-e-Bahara · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “646. | जश्न ए बहारा | जोधा अक़बर | 2008 | ए.आर.रहमान | पहाड़ी”.
- Gurjari TodiMann Mohana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “656. | मन मोहना | जोधा अक़बर | 2008 | ए.आर.रहमान | गुर्जरी तोड़ी+ भैरवी+ चारुकेशी+ भैरव”.
- BhairaviMann Mohana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “656. | मन मोहना | जोधा अक़बर | 2008 | ए.आर.रहमान | गुर्जरी तोड़ी+ भैरवी+ चारुकेशी+ भैरव”.
- CharukesiMann Mohana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “656. | मन मोहना | जोधा अक़बर | 2008 | ए.आर.रहमान | गुर्जरी तोड़ी+ भैरवी+ चारुकेशी+ भैरव”.
- BhairavMann Mohana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “656. | मन मोहना | जोधा अक़बर | 2008 | ए.आर.रहमान | गुर्जरी तोड़ी+ भैरवी+ चारुकेशी+ भैरव”.