Hindi film
Om Shanti Om (2007)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BairagiDard-e-Disco · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “595. | दर्दें डिस्को | ओम शांति ओम | 2007 | विशाल-शेखर | बैरागी+ भैरवी+ बसंत मुखारी”.
- BhairaviDard-e-Disco · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “595. | दर्दें डिस्को | ओम शांति ओम | 2007 | विशाल-शेखर | बैरागी+ भैरवी+ बसंत मुखारी”.
- Basant MukhariDard-e-Disco · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “595. | दर्दें डिस्को | ओम शांति ओम | 2007 | विशाल-शेखर | बैरागी+ भैरवी+ बसंत मुखारी”.
- Madhmad SarangDeewangi Deewangi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “596. | दीवानगी दीवानगी | ओम शांति ओम | 2007 | विशाल शेखर | मधमाद सारंग+ मेघ+ पहाड़ी”.
- MeghDeewangi Deewangi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “596. | दीवानगी दीवानगी | ओम शांति ओम | 2007 | विशाल शेखर | मधमाद सारंग+ मेघ+ पहाड़ी”.
- PahadiDeewangi Deewangi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “596. | दीवानगी दीवानगी | ओम शांति ओम | 2007 | विशाल शेखर | मधमाद सारंग+ मेघ+ पहाड़ी”.
- BhupeshwariJag Soona Soona Lage · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “603. | जग सूना सूना लागे | ओम शांति ओम | 2007 | विशाल-शेखर | भूपेश्वरी+ किरवानी+ नट भैरवी+ पहाड़ी”.
- KirwaniJag Soona Soona Lage · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “603. | जग सूना सूना लागे | ओम शांति ओम | 2007 | विशाल-शेखर | भूपेश्वरी+ किरवानी+ नट भैरवी+ पहाड़ी”.
- Nat BhairaviJag Soona Soona Lage · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “603. | जग सूना सूना लागे | ओम शांति ओम | 2007 | विशाल-शेखर | भूपेश्वरी+ किरवानी+ नट भैरवी+ पहाड़ी”.
- PahadiJag Soona Soona Lage · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “603. | जग सूना सूना लागे | ओम शांति ओम | 2007 | विशाल-शेखर | भूपेश्वरी+ किरवानी+ नट भैरवी+ पहाड़ी”.
- KirwaniMain Agar Kahoon · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “613. | मैं अगर कहूँ | ओम शांति ओम | 2007 | विशाल-शेखर | किरवानी+ काफी”.
- KafiMain Agar Kahoon · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “613. | मैं अगर कहूँ | ओम शांति ओम | 2007 | विशाल-शेखर | किरवानी+ काफी”.