Hindi film
Parichay (1972)
4 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BihagBeeti Na Bitai Raina · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : बीती ना बिताई रैना; गायक कलाकार : लता एवं भूपिन्दर; प्रयुक्त राग एवं ताल : बिहाग+यमन+कलावती, कहरवा।”.
- YamanBeeti Na Bitai Raina · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : बीती ना बिताई रैना; गायक कलाकार : लता एवं भूपिन्दर; प्रयुक्त राग एवं ताल : बिहाग+यमन+कलावती, कहरवा।”.
- KalavatiBeeti Na Bitai Raina · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : बीती ना बिताई रैना; गायक कलाकार : लता एवं भूपिन्दर; प्रयुक्त राग एवं ताल : बिहाग+यमन+कलावती, कहरवा।”.
- Maru BihagMitwa Bole Meethe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : मितवा बोले मीठे बैन; गायक कलाकार : भूपिन्दर; प्रयुक्त राग एवं ताल : मारू बिहाग+माँझ खमाज+ अद्धा तीनताल।”.
- Manj KhammajMitwa Bole Meethe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : मितवा बोले मीठे बैन; गायक कलाकार : भूपिन्दर; प्रयुक्त राग एवं ताल : मारू बिहाग+माँझ खमाज+ अद्धा तीनताल।”.
- BhinashadajMitwa Bole Meethe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म का नाम : परिचय (1972); गीत के बोल : मितबा बोले मीठे; गायक कलाकार : भूपिन्दर; प्रयुक्त राग एवं ताल : भिन्न षड्ज, माँझ खमाज, रागेश्री, मारूबिहाग, पुरिया धनाश्री अद्धा तीनताल।”.
- RageshriMitwa Bole Meethe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म का नाम : परिचय (1972); गीत के बोल : मितबा बोले मीठे; गायक कलाकार : भूपिन्दर; प्रयुक्त राग एवं ताल : भिन्न षड्ज, माँझ खमाज, रागेश्री, मारूबिहाग, पुरिया धनाश्री अद्धा तीनताल।”.
- Puria DhanashriMitwa Bole Meethe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “फ़िल्म का नाम : परिचय (1972); गीत के बोल : मितबा बोले मीठे; गायक कलाकार : भूपिन्दर; प्रयुक्त राग एवं ताल : भिन्न षड्ज, माँझ खमाज, रागेश्री, मारूबिहाग, पुरिया धनाश्री अद्धा तीनताल।”.
- YamanMitwa Bole Meethe · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “फिल्म ‘परिचय’ (1972) का गीत ‘मितवा बोले मीठे बोल...’ ‘यमन-कल्याण’ पर आधारित एक उत्तम गीत है।”.
- BhupaliMusafir Hoon Yaaro · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “4- फिल्म-परिचय (1972)-गीत- ‘मुसाफिर हूँ यारों’ - राग भूपाली।”.