Hindi film
Phir Wohi Dil Laya Hoon (1963)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- BhairavDekho Bijlee Dole · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “O.P. Nayyar throws caution to the winds in a cavalier romp through Bhairav territory. Asha Bhonsle figures in this PHIR WOHI DIL LAYA HOON (1962) sparkler: dekho bijlee dole.”.
- Basant BaharDekho Bijlee Dole · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “लिए शुद्ध व कोमल दोनों धैवत का प्रयोग, या राग बंसत बहार पर आधारित ‘फिर वही दिल लाया हूँ’ का ‘देखो बिजली डोले”.
- RamkaliDekho Bijlee Dole · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “1. | फिर वही दिल लाया हू | 1963 | ओ.पी.नैयर | देखो बिजली डोली....”.
- KirwaniAnkhon Se Jo Utari · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “8. गीत–आँखों से जो उतरी फिल्म–फिर वही दिल लाया हूं (1963) संगीत निर्देशक–ओ.पी. नैयर”.
- Mishra KirwaniAnkhon Se Jo Utari · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “इसलिए इस गीत को मिश्र किरवानी के अंतर्गत कहें तो अतिशयोक्ति नहीं होगी।”.
- YamanAanchal Mein Saja Lena · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “उपयोग किया, चाहे ‘फिर मिलोगे कभी’ हो या यमन कल्याण और केदार पर ही आधारित स्वर रचना को मंद्र सप्तक से लेकर तार सप्तक तक विस्तारित करता गीत ‘आँचल में, सजा लेना कलियाँ’ हो।”.
- KedarAanchal Mein Saja Lena · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “उपयोग किया, चाहे ‘फिर मिलोगे कभी’ हो या यमन कल्याण और केदार पर ही आधारित स्वर रचना को मंद्र सप्तक से लेकर तार सप्तक तक विस्तारित करता गीत ‘आँचल में, सजा लेना कलियाँ’ हो।”.