Hindi film
Saathiya (2002)
7 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- Manj KhammajChhalka, Chhalka Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “छलका छलका रे | साथिया | 2002 | ए.आर.रहमान | माँझ खमाज+ नटभैरवी+ पीलू+ यमनी बिलावल”.
- Nat BhairaviChhalka, Chhalka Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “छलका छलका रे | साथिया | 2002 | ए.आर.रहमान | माँझ खमाज+ नटभैरवी+ पीलू+ यमनी बिलावल”.
- PiluChhalka, Chhalka Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “छलका छलका रे | साथिया | 2002 | ए.आर.रहमान | माँझ खमाज+ नटभैरवी+ पीलू+ यमनी बिलावल”.
- Yamani BilawalChhalka, Chhalka Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “छलका छलका रे | साथिया | 2002 | ए.आर.रहमान | माँझ खमाज+ नटभैरवी+ पीलू+ यमनी बिलावल”.
- KirwaniChori Pe Chori · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “चोरी पे चोरी | साथिया | 2002 | ए.आर.रहमान | किरवानी”.
- Nat BhairaviChupke Se · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चुपके से | साथिया | 2002 | ए.आर.रहमान | नट भैरवी+ किरवानी”.
- KirwaniChupke Se · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चुपके से | साथिया | 2002 | ए.आर.रहमान | नट भैरवी+ किरवानी”.
- PahadiMaangalyam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “मंगलयम | साथिया | 2002 | ए.आर.रहमान | पहाड़ी”.
- Basant MukhariMere Yaar Mila De · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मेरा यार मिला दे साईंया | साथिया | 2002 | ए.आर.रहमान | बसंत मुखारी+ अहीर भैरव+ पूरिया धनाश्री”.
- Ahir BhairavMere Yaar Mila De · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मेरा यार मिला दे साईंया | साथिया | 2002 | ए.आर.रहमान | बसंत मुखारी+ अहीर भैरव+ पूरिया धनाश्री”.
- Puria DhanashriMere Yaar Mila De · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मेरा यार मिला दे साईंया | साथिया | 2002 | ए.आर.रहमान | बसंत मुखारी+ अहीर भैरव+ पूरिया धनाश्री”.
- KhamajNaina Milaike · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “नैना मिलाके | साथिया | 2002 | ए.आर.रहमान | खमाज”.
- KafiO Humdum Soniyo Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “ओ हमदम सुनियो रे | साथिया | 2002 | ए.आर.रहमान | काफी”.