Hindi film
Sant Gyaneshwar (1964)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- TodiJago Re Jago Prabhat Aya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “Manna Dey, Laxmikant-Pyarelal and Bharat Vyas pool in for this SANT GYANESHWAR (1964) number: jago re prabhat aaya.”.
- BhairaviJyot Se Jyot Jagate Chalo · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “राग भैरवी पर आधारित कुछ लोकप्रिय हिन्दी सिनेमा के गीत है-”.
- Mishra ShivranjaniKhabar Meri Naa Lini Re Bahut Din Bite · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “गाया भैरवी राग पर आधारित गीत ‘जोत से जोत जगाते चलो’ एवं मिश्र शिवरंजनी के स्वरों में लता जी द्वारा गाया गीत ‘खबर मोरी ना लीनी रे बहुत दिन बीतेरे’-सुंदर मेलाॅडी प्रधान तथा रागाधारित गीतों के अनूठे प्रयोग हैं।”.
