Sant Gyaneshwar · 1964
Khabar Meri Naa Lini Re Bahut Din Bite
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Mishra Shivranjani
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.135 (PDF p.88), composer discussion / prose example
Source wording: “गाया भैरवी राग पर आधारित गीत ‘जोत से जोत जगाते चलो’ एवं मिश्र शिवरंजनी के स्वरों में लता जी द्वारा गाया गीत ‘खबर मोरी ना लीनी रे बहुत दिन बीतेरे’-सुंदर मेलाॅडी प्रधान तथा रागाधारित गीतों के अनूठे प्रयोग हैं।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.