Hindi film
Swami (1977)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- YamanAaye Na Balam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “‘का करूँ सजनी आये न बालम’ फिल्म-स्वामी का यह गीत राग यमन पर आधारित शुद्ध शास्त्रीय रचना थी।”.
- KirwaniAaye Na Balam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “परंपरागत ठुमरी के आधार पर निर्मित इस रचना हेतु राग किरवानी, भैरवी तथा पीलू का मिश्रित रूप से प्रयोग किया गया है।”.
- BhairaviAaye Na Balam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “परंपरागत ठुमरी के आधार पर निर्मित इस रचना हेतु राग किरवानी, भैरवी तथा पीलू का मिश्रित रूप से प्रयोग किया गया है।”.
- PiluAaye Na Balam · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “परंपरागत ठुमरी के आधार पर निर्मित इस रचना हेतु राग किरवानी, भैरवी तथा पीलू का मिश्रित रूप से प्रयोग किया गया है।”.