Ram Aur Shyam · 1967
Aaj Ki Raat Mere Dil Ki Salami Le Le
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Pahadi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Radha Tyagi, doctoral thesis on Naushad (University of Delhi, 2015), ch.4, printed p.269 (PDF p.176)
Source wording: “In Raga Pahadi, he made some memorable songs like “Aaj Ki Raat Mere Dil Ki Salami Le Le” from Ram Aur Shyam, “Aawaz De Kahan Hai” from anmol Ghadi.”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.