Kati Patang · 1971
Aaj Na Chhodenge Bas Hamajoli Khelenge Ham Holi
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Mand
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as one of several raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary in the song. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.4, printed p.461 (PDF p.78), composer discussion / prose example, table row 7, table row 7
Source wording: “इस फ़िल्म का लोकप्रिय होली गीत इै-‘आज ना छोडे़ंगे बस हमजोली खेलेंगे हम होली’। इस गीत को किशोर कुमार, लता मंगेशकर एवं साथी कलाकारों ने समूह गीत के रूप में गाया है। इस सुंदर गीत के संगीत निर्देशक हैं आर॰डी॰बर्मन साहब। गीत को सुनकर लगता है कि इस गीत को मांड” · Applies to: mixed
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Khamaj
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as one of several raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary in the song. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.4, printed p.461 (PDF p.78), composer discussion / prose example, table row 7, table row 7
Source wording: “इस फ़िल्म का लोकप्रिय होली गीत इै-‘आज ना छोडे़ंगे बस हमजोली खेलेंगे हम होली’। इस गीत को किशोर कुमार, लता मंगेशकर एवं साथी कलाकारों ने समूह गीत के रूप में गाया है। इस सुंदर गीत के संगीत निर्देशक हैं आर॰डी॰बर्मन साहब। गीत को सुनकर लगता है कि इस गीत को मांड एवं खमाज” · Applies to: mixed
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.