Bhumika · 1977
Baaju Re Mondar Baaju Re
Hindi-film eligibility matched; song credits may still need checking
Singer: Saraswati Rane, Meena Fatharpekar
Music: Not listed in open data
Lyrics: Vasant Dev
Recording: original
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Shuddha Kalyan
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.3, printed p.267 (PDF p.96), notated analysis
Source wording: “फ़िल्म का नाम : भूमिका (1977); गीत के बोल : मोंदर बाजू रे (पारम्परिक रचना); गायक कलाकार : सरस्वती राणे, मीना फातरपेकर, सरस्वती राणे एवं उत्तरा केलकर; संगीत निर्देशन : बनराज भाटिया; प्रयुक्त राग एवं ताल : शुद्ध कल्याण, तीनताल।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.