Pakeezah · 1972
Bata De Sakhi Kaun Gali Gayo Shyam (a.k.a. Sakhi Kaun Gali Gayo Shyam )
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Pahadi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.4, printed p.423 (PDF p.40), composer discussion / prose example, table row 5, table row 5
Source wording: “पहाड़ी एवं दादरा ताल में गाया है। 5)5)5)5) इसी प्रकार अनेक विख्यात शास्त्रीय कलाकार जैसे डाॅ॰ प्रभा अत्रे, पं॰ छन्नुलाल मिश्र, उ॰ बरकत अली खाँ द्वारा गाया हुआ ‘बतादो कोई कौन गली गयो श्याम’-राग मिश्र खमाज पर आधारित एक अति मधुर परम्परागत ठुमरी है।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.