Sangam · 1964
Bol Radha Bol Sangam Hoga Ke Nahin (a.k.a. Mere Man Ki Ganga)
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhairavi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes कैलाश पंकज श्रीवास्तव, फ़िल्मों मंे शास्त्रीय गीत : एक विहंगावलोकन, संगीत फ़िल्मी शास्त्रीय गीत अंक, जनवरी 1973, पृ.11.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.3, printed p.361 (PDF p.190), composer discussion / prose example
Source wording: “में कदाचित् सबसे अधिक गीत राग भैरवी के हैं जैसे ‘दो हंसों का जोड़ा बिछड़ गयो रे’ (गंगा जमना), ‘ऐ मेरे दिल कहीं और चल’ (दाग), ‘बोल राधा, बोल’ (संगम), आदि।”
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.