Guddi · 1971
Bole Re Papihara, Papihara
Hindi-film eligibility matched; song credits may still need checking
Sources differ: Mian Ki Malhar and Malhar are separately reported. RagaPedia has not resolved this difference or verified a multi-raag treatment of the recording.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Mian Ki Malhar
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, On Gaud Malhar and Miyan Malhar — https://www.parrikar.org/hindustani/malhars/ — Raga Miyan Malhar; paragraph opening: “A couple of film compositions of Vasant Desai flag off the audio”
Source wording: “A couple of film compositions of Vasant Desai flag off the audio rally. The very familiar tune from GUDDI (1971) in Vani Jairam‘s voice: bola re papihara.”
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Malhar
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes विजय शर्मा, हिन्दी फ़िल्म संगीत, स्वर सरिता, अगस्त-2011.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.83 (PDF p.36), composer discussion / prose example
Source wording: “‘झनक-झनक’ (अडाणा), ‘बोले रे पपीहरा’ (मल्हार), ‘दिल का खिलौना हाये टूट गया’ (भैरवी) सर्वकालिक क्लैसिक्स हैं।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.