Mere Humdam Mere Dost · 1968
Chalo Sajna Jahan Tak
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Charukesi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Sakshi Sharma, doctoral thesis (University of Rajasthan, 2025), ch.4, printed p.149 (PDF p.9), राग चारुकेशी पर आधारित फिल्मी गीत, table row 4 (numbered list)
Source wording: “4. गीत–चलो सजना जहां तक घटा चले फिल्म–मेरे हमदम मेरे दोस्त (1968) संगीत निर्देशक–लक्ष्मीकांत प्यारेलाल”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.