Saraswatichandra · 1968
Chandan Sa Badan Chanchal Chitavan
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Yaman
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Kalyan (Part 1/2) — https://www.parrikar.org/hindustani/kalyan/ — paragraph opening: “Every college Romeo has at some stage allowed himself the fantasy of”
Source wording: “Every college Romeo has at some stage allowed himself the fantasy of wooing a babe with this well-worn number from SARASWATICHANDRA (1968), under Kalyanji-Anandji‘s baton: chandan sa badan.” · Applies to: influence
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No phrase-level timestamp has been expert-reviewed for this attribution yet.