Heer Ranjha · 1970
Do Dil Tute Do Dil Hare
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Mand
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Suneel Kumar Gupta, doctoral thesis on Madan Mohan (Banaras Hindu University, 2015), ch.6, printed p.307 (PDF p.103)
Source wording: “संगीतकार मदनमोहन ने चित्रपट ‘हीर-राँझा’ (1970) के गीत ‘दो दिल टूटे, दो दिल हारे’ में राग ‘माँड’ का ऐसा बखूबी प्रयोग किया है जिसकी कल्पना भी नहीं की जा सकती।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.