Himalay Ki God Mein · 1965
Ek Tu Jo Mila
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Charukesi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, On Raga Charukeshi — https://www.parrikar.org/hindustani/charukeshi/ — paragraph opening: “The composer duo, Kalyanji-Anandji, have pressed the Charukeshi scale to good use”
Source wording: “The composer duo, Kalyanji-Anandji, have pressed the Charukeshi scale to good use in a few songs. Here we present a couple of them. From HIMALAYA KI GOD MEIN (1965), Lata Mangeshkar: ek tu jo mila.” · Applies to: influence
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