Godan · 1963
Hiya Jarat Rahat Din Rain
Hindi-film eligibility matched; song credits may still need checking
Sources differ: Tilak Kamod and Desh are separately reported. RagaPedia has not resolved this difference or verified a multi-raag treatment of the recording.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Tilak Kamod
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Des: Tunes from the Countryside — https://www.parrikar.org/hindustani/des/ — Raga Tilak Kamod; paragraph opening: “Ravi Shankar‘s creative faculties sparkle in the Mukesh number from GODAAN (1963):”
Source wording: “Ravi Shankar‘s creative faculties sparkle in the Mukesh number from GODAAN (1963): hiya jarata rahata dina-raina.”
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Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Desh
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as one of several raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary in the song. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.73 (PDF p.26), composer discussion / prose example
Source wording: “तिलक कामोद एवं देस राग पर आधारित मुकेश जी के स्वरों से सृजित चैती ‘जिया जरत रहत दिन रैन हो रामा’।” · Applies to: mixed
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.