Laila Majnu · 1976
Husn Hazir Hai
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Mishra Bhairavi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes Pankaj Rag, Dhunon ki Yatra.
Evidence: Named musician's analysis · Suneel Kumar Gupta, doctoral thesis on Madan Mohan (Banaras Hindu University, 2015), ch.7, printed p.374 (PDF p.38)
Source wording: “‘हुस्न हाज़िर है मुहब्बत की सज़ा पाने को’ (लता) की मिश्र भैरवी तो इतनी लोकप्रिय हुई कि न सिर्फ ‘बिनाका गीतमाला’ का चोटी का गीत बनी, बल्कि 1977 के लोक सभा चुनावांे में इस धुन को प्रयुक्त कर प्रचारात्मक उपयोग भी किया गया।”
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.