Maaya · 1961
Jaa Re, Jaa Re Ud Jaa Re Panchhi
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhairavi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes पंकज राग, धुनों की यात्रा, पृ.471.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.103 (PDF p.56), composer discussion / prose example
Source wording: “उदाहरण के तौर पर ‘माया’ (1961) के मशहूर भैरवी आधारित गीत ‘जा रे उड़ जा रे पंछी’ (लता) की पृष्ठभूमि और इंटरल्यूड्स में choir पर cresendo का बहुत असरदार प्रभाव पैदा किया गया है।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.