Sikander-e-Azam · 1965
Jahaan Daal Daal Par Sone Ki Chidiyaan Karti Hain Basera
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Shuddha Kalyan
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Short Takes: Bhoopali and Deshkar — https://www.parrikar.org/hindustani/bhoopali/ — Raga Shuddha Kalyan/Bhoop Kalyan; paragraph opening: “The dearly-loved Mohammad Rafi classic from SIKANDER-E-AZAM (1965) was composed by Hansraj”
Source wording: “The dearly-loved Mohammad Rafi classic from SIKANDER-E-AZAM (1965) was composed by Hansraj Behl: jahan dala dala par.”
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.