Mere Sanam · 1965
Jaiye Aap Kahan Jayenge
Hindi-film eligibility matched; song credits may still need checking
Sources differ: Pilu, Simhendra Madhyam, Hemavati and Saraswati Ranjini are separately reported. RagaPedia has not resolved this difference or verified a multi-raag treatment of the recording.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Pilu
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.118 (PDF p.71), composer discussion / prose example
Source wording: “पीलू भी नैय्यर साहब का लोकप्रिय राग था। इस राग पर आधारित एक अति लोकप्रिय गीत है-‘जाइए आप कहाँ जाएँगे’ (आशा भोसले, मेरे सनम, 1965), इस गीत में उस्ताद रईस खाँ साहब के सितार वादन के साथ-साथ आशा भोसले का गायन अप्रतिम है।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Simhendra Madhyam
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as one of several raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary in the song. This records what the source says; a musician has not checked the recording note by note. The source quotes उस्ताद अब्दुल हलीम जाफ़र खाँ, quoted through Vijay Verma / स्वर सरिता.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.119 (PDF p.72), composer discussion / prose example
Source wording: “था-‘जाइये आप कहां जायेंगे’ (मेरे सनम)। उस्ताद अब्दुल हलीम जाफ़र खाँ साहब के अनुसार इसमें पीलू, सिम्हेंद्र मध्यम, हेमावती और सरस्वती रंजिनी रागों के स्वर लगे हैं यानी दोनों निषाद, दोनों मध्यम और दोनों धैवत और कहीं-कहीं शुद्ध गंधार का शोशा भी लगा है।” · Applies to: mixed
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Hemavati
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as one of several raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary in the song. This records what the source says; a musician has not checked the recording note by note. The source quotes उस्ताद अब्दुल हलीम जाफ़र खाँ, quoted through Vijay Verma / स्वर सरिता.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.119 (PDF p.72), composer discussion / prose example
Source wording: “था-‘जाइये आप कहां जायेंगे’ (मेरे सनम)। उस्ताद अब्दुल हलीम जाफ़र खाँ साहब के अनुसार इसमें पीलू, सिम्हेंद्र मध्यम, हेमावती और सरस्वती रंजिनी रागों के स्वर लगे हैं यानी दोनों निषाद, दोनों मध्यम और दोनों धैवत और कहीं-कहीं शुद्ध गंधार का शोशा भी लगा है।” · Applies to: mixed
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Saraswati Ranjini
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as one of several raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary in the song. This records what the source says; a musician has not checked the recording note by note. The source quotes उस्ताद अब्दुल हलीम जाफ़र खाँ, quoted through Vijay Verma / स्वर सरिता.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.119 (PDF p.72), composer discussion / prose example
Source wording: “था-‘जाइये आप कहां जायेंगे’ (मेरे सनम)। उस्ताद अब्दुल हलीम जाफ़र खाँ साहब के अनुसार इसमें पीलू, सिम्हेंद्र मध्यम, हेमावती और सरस्वती रंजिनी रागों के स्वर लगे हैं यानी दोनों निषाद, दोनों मध्यम और दोनों धैवत और कहीं-कहीं शुद्ध गंधार का शोशा भी लगा है।” · Applies to: mixed
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.