Rangoli · 1962
Jao Jao Nand Ke Lala
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bageshri
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Short Takes: Bageshree — https://www.parrikar.org/hindustani/bageshree/ — Raga Bageshree; paragraph opening: “The great composer duo of Shankar-Jaikishan fashioned a crisp Bageshree in RANGOLI”
Source wording: “The great composer duo of Shankar-Jaikishan fashioned a crisp Bageshree in RANGOLI (1962), again centred on the theme of a naughty, intransigent Krishna. Nobody can match Lata in this situation: jaa’o jaa’o Nand ke lala.”
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Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.