Taj Mahal · 1963
Jurm-E-Ulfat Pe
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Gaur Malhar
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, On Gaud Malhar and Miyan Malhar — https://www.parrikar.org/hindustani/malhars/ — Raga Gaud Malhar; paragraph opening: “Chhayas of Gaud Malhar peer through now and then in this beautiful”
Source wording: “Chhayas of Gaud Malhar peer through now and then in this beautiful Lata number from TAJ MAHAL (1963): jurm-e-ulfat pe.” · Applies to: influence
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Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.