Kalank · 2019
Kalank - Title Track
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Shivaranjani
The song's composer named this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary for part of the song. This records what the source says; a musician has not checked the recording note by note. The source quotes Scroll.in — Devarsi Ghosh.
Evidence: Composer's own statement · Published composer, musician and record-label statements (collected 7 Oct 2026), Scroll.in; Apr 06, 2019 · 09:15 am; https://scroll.in/reel/918915/chart-busting-composer-pritam-is-ready-to-retire-will-bollywood-let-him; paragraph opens: A bhajan will sound like a bhajan
Source wording: “The title track goes into Raag Shivranjani, and the antara is a bit Baul-influenced.” · Applies to: section
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.