The Chess Players · 1977
Kanha Mein Tose Hari
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhairavi
The song's composer named this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes पंडित बिरजु महाराज, thesis interview. Composer credit differs between sources: Birju Maharaj in A12’s interview-based account; Satyajit Ray in distributor/secondary credits. Verification pending.
Evidence: Composer's own statement · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.4, printed p.433 (PDF p.50), composer discussion / prose example
Source wording: “इस फ़िल्म का ‘कान्हा में तोसे हारी’ गीत को संगीतबद्ध किया है सुप्रसिद्ध कथक नृत्य कलाकार एवं गुरू पंडित बिरजू महाराज जी ने। उनहोंने इस गीत को गाया भी हैं। ठुमरी अन्दाज़ में बने इस गीत में पंडित जी ने राग भैरवी एवं ताल अद्धा का अनोखा प्रयोग किया हैं।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.