Geet Gaata Chal · 1975
Kar Gaya Kanha
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bairagi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary for part of the song. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Anubhaw Pandey, doctoral thesis on Ravindra Jain (Banaras Hindu University, 2020), ch.5, printed p.142 (PDF p.3), कर गया कान्हां मिलन का वादा analysis paragraph
Source wording: “इसी फिल्म में आरती मुखर्जी की आवाज़ में ‘कर गया कान्हां मिलन का वादा’ गीत रवीन्द्र जैन की शास्त्रीय शैली का परिचायक है जिसमें स्थाई में राग बैरागी तथा अंतरे में भैरव थाट के स्वरों का कुशल प्रयोग किया गया है।” · Applies to: section
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.