Taj Mahal · 1963
Khuda E Baratar Teri Zamin Par
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Todi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, The Empire of Todi — https://www.parrikar.org/hindustani/todi/ — paragraph opening: “This Roshan and Sahir Ludhianvi masterpiece was rolled out for TAJMAHAL (1963),”
Source wording: “This Roshan and Sahir Ludhianvi masterpiece was rolled out for TAJMAHAL (1963), again with the ubiquitous Lata: khuda-e-bartar.”
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Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.