Woh Kaun Thi? · 1964
Lag Jaa Gale
Hindi-film eligibility matched; song credits may still need checking
Sources differ: Pahadi and Yaman influence are separately reported. RagaPedia has not resolved this difference or verified a multi-raag treatment of the recording.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Pahadi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes Sushil Kumar Lohat, Chitrapat Sangeet Ke Bahuaayami Sangeetkar Madan Mohan.
Evidence: Named musician's analysis · Suneel Kumar Gupta, doctoral thesis on Madan Mohan (Banaras Hindu University, 2015), ch.5, printed p.192 (PDF p.19)
Source wording: “पहाड़ी के सुरों को क्या खूब परिमार्जित किया है मदन ने!”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Yaman
The record label's notes name this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Record label documentation · Published composer, musician and record-label statements (collected 7 Oct 2026), Saregama Blog; 3 years ago (as printed); https://www.saregama.com/blog/from-raag-to-fusion-navigating-the-complex-terrain-of-indian-music-scales/; paragraph opens: One of the most popular and versatile Ragas
Source wording: “melodic nuances of Raag Yaman.” · Applies to: influence
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
