Teesri Kasam · 1966
Maare Gaye Gulfaam
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Jaijaivanti
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary for part of the song. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Des: Tunes from the Countryside — https://www.parrikar.org/hindustani/des/ — Raga Jaijaivanti; paragraph opening: “Shankar-Jaikishan again, in TEESRI KASAM (1966), a flippant, folksy tune that filches”
Source wording: “Shankar-Jaikishan again, in TEESRI KASAM (1966), a flippant, folksy tune that filches Jaijaivanti’s signature cluster for its mukhda: mare gaye gulfam.” · Applies to: section
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Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.