Dil Tera Diwana · 1962
Masoom Chehra Ye Qatil
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhimpalasi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Bhimpalasi Inc — https://www.parrikar.org/hindustani/bhimpalasi/ — Raga Bhimpalasi; paragraph opening: “Shankar-Jaikishan‘s number from DIL TERA DIWANA (1962) is perhaps the most enchanting”
Source wording: “Shankar-Jaikishan‘s number from DIL TERA DIWANA (1962) is perhaps the most enchanting from the Hindi film department. For reasons unknown it is seldom quoted in a ‘light’ catalogue of Bhimpalasi. Mohammad Rafi and Lata Mangeshkar: masoom chehra.”
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Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.