Mughal-e-Azam · 1960
Mohe Panghat Pe Nandalal Ched Gayo Re
Hindi-film eligibility matched; song credits may still need checking
Sources differ: Mishra Gara, Gara Thumri and Pancham Se Gara are separately reported. RagaPedia has not resolved this difference or verified a multi-raag treatment of the recording.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Mishra Gara
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Radha Tyagi, doctoral thesis on Naushad (University of Delhi, 2015), ch.4, printed p.193 (PDF p.100)
Source wording: “Naushad composed this song in Raga Mishra Gara.”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Gara Thumri
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · The Record News, issue 4 (examined 7 Oct 2026), Annual issue 2011, printed p.15 (PDF p.15), Songs of Mughal-e-Azam, row 2
Source wording: “2. Mohe Panghat pe / Gara Thumri / Lata Mangeshkar (3: 55)”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Pancham Se Gara
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · The Record News, issue 4 (examined 7 Oct 2026), Annual issue 2011, printed p.9 (PDF p.9), Music of Mughal-e-Azam, paragraph containing Mohe Panghat pe
Source wording: “Meanwhile, the lyricist Shakeel Badayuni wrote the song and Naushad set the tune in Raga `Pancham se Gara'.”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.