Parakh · 1960
O Sajna, Barakha Bahara Ayi
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Khamaj
Rachel Dwyer identifies Khamaj in O Sajna Barkha Bahar Aayi in her published film-song analysis. This is the scholar's interpretation, not composer testimony or a full transcription demonstrating the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary assignment.
Evidence: Named musician's analysis · Rachel Dwyer, film-song analysis, paragraph beginning “My second choice”
Source wording: “Khamaj”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.