Shagun · 1964
Parbaton Ke Pedon Par Shaam Ka Basera Hai
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Pahadi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Short Takes: Bhoopali and Deshkar — https://www.parrikar.org/hindustani/bhoopali/ — Raga Pahadi; paragraph opening: “Composer Khayyam has made a career in Pahadi, successfully exploiting its pliancy”
Source wording: “Composer Khayyam has made a career in Pahadi, successfully exploiting its pliancy and its yen for promiscuity. From SHAGUN (1964), the dulcet tones of Suman Kalyanpur and Mohammad Rafi: parbaton ke pedon par.”
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Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.