Rang Aur Noor Ki Baraat Kise Pesh Karoon

This is an example of a song pulling in one direction, while the interludes pull in a different one. The song sticks very close to Shivaranjani, but almost from the onset, the interludes pull in other directions. About half way through the song, the vocalist also begins to wander away from Shivaranjani. These deviations start with ornamentation of notes with non-Shivaranjani elements, but very quickly move into the main melody.

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