Satyagraha · 2013
Raske Bhare Tore Naina
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Darbari Kanada
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Pooja Tiwari, doctoral thesis on semi-classical styles in film music (University of Delhi, 2020), ch.3, printed p.128 (PDF p.12)
Source wording: “तत्पश्चात् 2013 में निर्मित फ़िल्म ‘सत्याग्रह’ मंे भी इस ठुमरी का प्रयोग संगीत-निर्देशक आदेश श्रीवास्तव जी द्वारा किया गया तथा अर्पिता चक्रवर्ती एवं शफ़ाव़फत अमानत अली ने इसे राग दरबारी कान्हड़ा में गाया।”
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.