Lal Patthar · 1971
Re Man Sur Mein Ga
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Yaman
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Kalyan (Part 1/2) — https://www.parrikar.org/hindustani/kalyan/ — paragraph opening: “In LAL PATTHAR (1971) we watch in despair as Manna Dey comes”
Source wording: “Those Manna Dey tans are indistinguishable from the bawling of a freshly baked baby as it tries to cope with life outside the amnion: re mana sur mein ga.” · Applies to: influence
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