Anuradha · 1960
Sanvare Sanvare
Hindi-film eligibility matched; song credits may still need checking
Sources differ: Bhairavi and Sindhu Bhairavi are separately reported. RagaPedia has not resolved this difference or verified a multi-raag treatment of the recording.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhairavi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Bhairavi (Part 1/2) — https://www.parrikar.org/hindustani/bhairavi/ — paragraph opening: “Ravi Shankar‘s classic from ANURADHA (1960): sanware sanware.”
Source wording: “Ravi Shankar‘s classic from ANURADHA (1960): sanware sanware.”
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Sindhu Bhairavi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.3, printed p.222 (PDF p.51), notated analysis
Source wording: “फ़िल्म का नाम : अनुराधा (1960); गीेत के बोल : साँवरें-साँवरें; गायक कलाकार : लता मंगेशकर; संगीत निर्देशक : पंडित रवि शंकर; प्रयुक्त राग एवं ताल : सिंधु भैरवी, तीनताल।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.