Dulhan Ek Raat Ki · 1966
Sapnon Mein Agar Mere, Tum Aao To So Jau
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Rageshri
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note. The source quotes Sushil Kumar Lohat, Chitrapat Sangeet Ke Bahuaayami Sangeetkar Madan Mohan.
Evidence: Named musician's analysis · Suneel Kumar Gupta, doctoral thesis on Madan Mohan (Banaras Hindu University, 2015), ch.5, printed p.191 (PDF p.18)
Source wording: “क रात की’ (1966) के रागेश्री के हल्के सुरों पर विचरती ‘सपनों में अगर मेरे तुम आओ’ में गजब की आकर्षक लगती है।” · Applies to: influence
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.