Mughal-e-Azam · 1960
Shubha Din Ayo Rajadulara
Hindi-film eligibility matched; song credits may still need checking
Sources differ: Rageshri and Bageshri are separately reported. RagaPedia has not resolved this difference or verified a multi-raag treatment of the recording.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Rageshri
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Short Takes: Bageshree — https://www.parrikar.org/hindustani/bageshree/ — Raga Rageshree; paragraph opening: “Bade Ghulam Ali Khan sings for Naushad in MUGHAL-E-AZAM (1960): shubha dina”
Source wording: “Bade Ghulam Ali Khan sings for Naushad in MUGHAL-E-AZAM (1960): shubha dina aayo.”
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bageshri
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.70 (PDF p.23), composer discussion / prose example
Source wording: “‘शुभ दिन आयो राज दुलारे’ (राग : बागेश्री) के लिए नौशाद अली जी ने प्रख्यात शास्त्रीय कलाकार उस्ताद बडे़ गुलाम अली खाँ को आमंत्रित किया था।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.