Jab Yaad Kisi Ki Aati Hai · 1967
Tere Bin Saawan Kaise Bita
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhairavi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes Pankaj Rag, Dhunon ki Yatra.
Evidence: Named musician's analysis · Suneel Kumar Gupta, doctoral thesis on Madan Mohan (Banaras Hindu University, 2015), ch.7, printed p.340 (PDF p.4)
Source wording: “माला सिन्हा पर फ़िल्माए सधे हुए आरोह के साथ शीर्षक गीत ‘जब याद किसी की आती है’ और इसी फ़िल्म का तबलो के अनूठे प्रयोग और सितार के झंकृत इंटरल्यूड्स के साथ भैरवी की अति संुदर और अलग-सी अभिव्यक्ति वालो ‘तेरे बिन सावन कैसे बीता तू क्या जाने बालमा’ (लता) को सुनना नायिका की छवि में अलंकार पैदा करता है।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.