Ek Duuje Ke Liye · 1981
Tere Mere Beech Mein Kaisa Hai
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Shivaranjani
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.136 (PDF p.89), composer discussion / prose example
Source wording: “फ़िल्म ‘एक दूजे के लिए’ का गीत ‘तेरे मेरे बीच में कैसा है ये बंधन’-मंे राग शिवरंजनी का प्रयोग एवं फ़िल्म ‘संत ज्ञानेश्वर’ का गीत ‘जागो रे जागो’ में राग तोड़ी का प्रयोग उनकी उत्कृष्ट गीत रचना का उदाहरण है।”
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.