Chhalia · 1960
Teri Rahon Mein Khade Hai
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhairavi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.131 (PDF p.84), composer discussion / prose example
Source wording: “‘तेरी राहों में खडे़ हैं दिल थाम के’ जैसे गीतों ने इस जोड़ी के लिये नये अवसरों के अन्य रास्ते खोल दिये।“1 इन गीतों को सुनकर लगता है कि उन्होंने इन गीतों में शास्त्रीय रागों के सरल प्रयोग किये हैं। ‘तेरी राहों में खडे़ हैं’ गीत में भैरवी” · Applies to: influence
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.