Kaajal · 1965
Tora Man Darpan Kahalay
Hindi-film eligibility matched; song credits may still need checking
Sources differ: Darbari Kanada and Bhimpalasi are separately reported. RagaPedia has not resolved this difference or verified a multi-raag treatment of the recording.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Darbari Kanada
Rajan Parrikar presents Tora Man Darpan among the film examples in his Darbari Kanada discussion. This is attributed listening analysis, not composer testimony; the linked audio was not audited.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, “Raga Darbari Kanada,” opening film examples after the grammar discussion
Source wording: “Darbari Kanada”
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Bhimpalasi
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as one of several raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary in the song. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Neha Shrivastava, doctoral thesis on Ravi (Banaras Hindu University, 2022), ch.3, printed p.227 (PDF p.21), तोरा मन दरपन कहलाए
Source wording: “इस गीत के अन्तरे में राग भीमपलासी का प्रयोग किया गया है, जिससे यह गीत और भी मधुर बन” · Applies to: mixed
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.