Sankalp · 1975
Tu Hi Sagar Hai Tu Hi Kinara
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Ahir Bhairav
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note. The source quotes विजय वर्मा, हिन्दी फ़िल्म संगीत, स्वर सरिता, 1 फरवरी 2014, पृ.38 (footnote at printed p.126).
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.125 (PDF p.78), composer discussion / prose example, table row 5, table row 5
Source wording: “‘संकल्प’ 1975 ‘तू ही सागर है तू ही किनारा’ - अहीर भैरव”
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Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.