Kaise Kahoon · 1964
Tum Hamein Pyar Karo Ya N Karo
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Pilu
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Amrita Dutta, doctoral thesis (University of Delhi, 2018), ch.2, printed p.79 (PDF p.32), composer discussion / prose example
Source wording: “राग पीलू में ‘तुम हमें प्यार करो या न करो’ (लता) 3- राग खमाज एवं माँझ खमाज में ‘कैसे कहूँ, कैसे कहूँ’ (लता) 4- राग झिंझोटी एवं यमन कल्याण में ‘दिल का दर्द निराला’ (रफ़ी) आर॰के॰ नारायण की चर्चित रचना पर आधारित फ़िल्म ‘गाइड’ (1965) में सचिन देव जी ने अत्यन्त सुंदर गीत दिये।”
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.