Bombay To Goa · 1972
Tum Meri Zingadi Mein
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Nat
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, Cracked Open - the Nats! (Part 1/2) — https://www.parrikar.org/hindustani/nats/ — Raga Chhayanat; paragraph opening: “A very subtle flavour is stocked by Khandwa’s Pandit Kishore Kumar. Panditji’s”
Source wording: “From BOMBAY TO GOA (1972), set to R.D. Burman‘s music, Panditji coos with Lata Mangeshkar: tum meri zingadi mein.” · Applies to: influence
Need the attribution logic? Read how film-song raags are identified.
Attribution sources
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.