Sehraa · 1963
Tum To Pyar Ho Sajna
Hindi-film eligibility matched; song credits may still need checking
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Maru Bihag
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Rajan Parrikar, Hindustani raag articles, An Evening with Raga MaruBihag — https://www.parrikar.org/hindustani/marubihag/ — paragraph opening: “MaruBihag is entrenched in popular Indian imagination via the Mohammad Rafi –”
Source wording: “MaruBihag is entrenched in popular Indian imagination via the Mohammad Rafi – Lata Mangeshkar number from SEHRA, composed by Ramlal. It is hard to overstate Lata’s extraordinary abilities with sahitya and swara. So much came so naturally to her: tum to pyara ho.”
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Attribution sources
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No phrase-level timestamp has been expert-reviewed for this attribution yet.