Hindi film
Bajirao Mastani (2015)
9 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- YamanAaj Ibaadat · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “838. | आज इबादत | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | यमन कल्याण”.
- PahadiAb Tohe Jane Na Doongi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “877. | अब तोहे जाने ना दूंगी | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | पहाडी+ देसकार”.
- DeshkarAb Tohe Jane Na Doongi · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “877. | अब तोहे जाने ना दूंगी | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | पहाडी+ देसकार”.
- BhupaliAlbela Sajan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “878. | अलबेला सजन | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | भूपाली+ देसकार”.
- DeshkarAlbela Sajan · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “878. | अलबेला सजन | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | भूपाली+ देसकार”.
- KirwaniDeewani Mastani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “28. गीत–दीवानी मस्तानी हो गई फिल्म–बाजीराव मस्तानी (2015) संगीत निर्देशक–संजय लीला भंसाली”.
- KafiDeewani Mastani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “849. | दीवानी मस्तानी | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | काफी+ किरवानी+ नट भैरवी”.
- Nat BhairaviDeewani Mastani · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “849. | दीवानी मस्तानी | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | काफी+ किरवानी+ नट भैरवी”.
- BihagFitoori · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “851. | फितूरी (लावणी) | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | बिहाग+ पूरिया धनाश्री+ बसंत मुखारी”.
- Puria DhanashriFitoori · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “851. | फितूरी (लावणी) | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | बिहाग+ पूरिया धनाश्री+ बसंत मुखारी”.
- Basant MukhariFitoori · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “851. | फितूरी (लावणी) | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | बिहाग+ पूरिया धनाश्री+ बसंत मुखारी”.
- BhairavGajanana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “852. | गजानना | बाज़ीराव मस्तानी | 2015 | श्रेयस पुराणिंक | भैरव+ बसंत मुखारी”.
- Basant MukhariGajanana · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “852. | गजानना | बाज़ीराव मस्तानी | 2015 | श्रेयस पुराणिंक | भैरव+ बसंत मुखारी”.
- Nat BhairaviMalhari · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “870. | मल्हारी | बाज़ीराव मस्तानी | 2015 | संजय लीला भंसाली | नट भैरवी”.
- Puria DhanashriMohe Rang Do Laal · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ठुमरी गीत के निर्वहन हेतु पूरिया धनाश्री, पूरिया कल्याण, काफी तथा यमन राग का चयन किया गया है।”.
- Puriya KalyanMohe Rang Do Laal · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ठुमरी गीत के निर्वहन हेतु पूरिया धनाश्री, पूरिया कल्याण, काफी तथा यमन राग का चयन किया गया है।”.
- KafiMohe Rang Do Laal · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ठुमरी गीत के निर्वहन हेतु पूरिया धनाश्री, पूरिया कल्याण, काफी तथा यमन राग का चयन किया गया है।”.
- YamanMohe Rang Do Laal · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “ठुमरी गीत के निर्वहन हेतु पूरिया धनाश्री, पूरिया कल्याण, काफी तथा यमन राग का चयन किया गया है।”.
Music
Singers
- Altamash Faridi
- Arijit Singh
- Farhan Sabri
- Ganesh Chandanshive
- Ganesh Chandasive
- Geetikka Manjrekar
- Javed Bashir
- Kanika Joshi
- Kunal Pandit
- Mujtaba Aziz Naza
- Pandit Birju Maharaj
- Payal Dev
- Prithvi Gandharva
- Rashi Raagga
- Shadab Faridi
- Shashi Suman
- Shreya Ghoshal
- Shreyas Puranik
- Sukhwinder Singh
- Vaishali Mhade
- Vishal Dadlani